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review by Michael Debbage Gypsy Supper is a musical migration from genre to genre, combing together a unique sound that is William & Alene. Largely rooted in folk along with a touch of the renaissance period, this musical gypsy couple still defies a specific category. And it this intriguing integration that makes them mysterious musical minstrels that are masters of moody and melancholy themes. The very first impression of this particular project is the very high standard of production and presentation this couple brings to the table. The production levels are impeccable despite possible budget limitations. In addition, the booklet layout includes solid graphics and complete documentation, giving the listener details as to the origin of each song. It would be incorrect to [categorize] this couple with any one given label, but no doubt they are instrumental wizards that conglomerate elements of new age, folk, and even the renaissance period made successful by Ritchie Blackmore's Night. This is best illustrated by the very catchy jig "Miss Shepherd." Toss in a little of the blues, a Hammond organ and electric viola and you have one of the albums more colorful moments. Similar themes are explored via "Morrison's Jig & Andy De Jarlis." This time, the fiddle work of Susan Burke adds brilliant shades to the guitars. Meanwhile, the title track speeds up the tempo to keep the album varied and interesting. It includes an instrumental war between Williams's steel guitar and Anna Schaad's violin creating for some unusual musical bantering. The same can be said for the temperamental "Granuaile (Grace O'Malley)" which mixes a modest amount of percussion but never overstated, keeping with the mellow meandering spirit of the album. The most commercial effort is the subtle and soft remake of Altan's "Ta Me Mo Shui" that also features some keyboard-based string arrangements. This lush arrangement is in stark contrast to the stripped down and meditative "No Words" and "Lifted Spirit." They showcase William and Alene's steel and classical guitar work respectively. Partners in marriage and music, the couple gives each other the freedom to express themselves in their own unique way, both as an individual and a duo. As previously stated, the inability to musically label this couple to one specific genre reflects both their strength and weakness. Their musical expression is unique but how one goes about marketing them is another. Nevertheless, when the mood warrants it, this is a good listening experience for those patient enough to seek this type of genre bender. |
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