|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
review by Dene Bebbington Here's the aptly titled follow-up to Max Schiefele's (aka Maxxess) Electrixx album. I haven't heard that previous album but I can happily report that The Sequel is a masterful combination of melodic, and sometimes searingly exciting, electric guitar and electronics. The guitar is definitely the lead instrument, electronics are typical used to provide background effects and rhythmic sequencing that is easily heard without the need to be centre of attention. Judging by the cover (Max holding a bird of prey against a red clouded background) and the track names I get the impression the album could be a journey through a sword and sorcery kind of landscape. There are eight tracks in all, ranging between five and nine minutes. One of my favourites has to be the second piece "Borderliner" which does a good job of showcasing Max's guitar skills in creating melodies, excellent riffs, or blistering rock style sonic excursions. Some tracks, such as "Dreamcatcher", start off in a restrained manner with synth effects but it's usually not too long before things get livelier, especially when the guitar comes in. In general this is an upbeat album, often the electronics deliver beepy and bleepy sequencing or percussive effects to keep things moving. Now and again Max shows that he can also create more subdued and atmospheric pieces, "Liquid Cave" is one such piece where a distant echoey rhythm sets a scene over which gushing sounds brush past and the guitar creates a slightly moody atmosphere. I was captivated by the collaboration album Contact that Maxxess was one half of, so it was good to hear that when recording as a solo artist his music is just as appealing. The Sequel may edge towards rock music but it's a great album for anyone who likes powerful instrumental music. |
|